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Dries Van Noten is a member of the fabled Antwerp Six, quietly bucks industry convention by not advertising, and has received massive recognition for his unprecedented use of pattern and color since founding his independent label in 1986. Despite this legacy of rule breaking, the 57-year-old Belgian designer likes to keep within limits.

Big Game could as easily denote an instruction as to how we should approach this issue of Wound as a description of its content. Game, games and gaming – from child’s play and artistic puns to the world of social politics- draw together the meaty content in a way that is a signature of the title.

Mel Karch’s photos styled by Mathieu Pabiot of the womenswear collections shot in a mini Paris grab one's attention as do the two vampire stories picking up on the blood-sucking Got ...[ Read More ]

This series is named after the Roman god, Vertumnus, who presided over earth, season, and change, gardens, plants and fruit trees. In a playful homage to the diety, Favini meditates on the cyclical nature of life and earth-bound elements, both physically and culturally. Clever as it is playful, Favini’s portrayal of Vertumnus evokes the familiar works of Renaissance artist, Arcimboldo, in particular his portrait of Rudolph II, 1590, or more recently, the film works of Jan Švankmajer, such as Dimensions of Dialog ...[ Read More ]