Our Take —
VMAN is the quarterly baby brother of V Magazine. Born in 2003, to the same creative team responsible for its older sister, VMAN was a savvy move, responding to the hunger for a hip and stylish title aimed at a certain sector of American men. Sliding neatly into the gap between the rather conservative feel of established men’s fashion titles on one side and the boy-next-door jock antics of successful titles aimed at the younger market on the other, VMAN immediately gained a readership amongst aspirant and affluent urban males who were eager for an option that offered sophistication and a bit of luxury without these things being defined in boring traditional terms.
Retaining the breeziness and the bold styling moves of V Magazine, VMAN put a masculine twist on the formula, smartly realising that its target readership were not going to be put off by a less pedestrian approach to men’s fashion, indeed, quite the opposite. Staying true to a the mix of fashion, culture, music, celebrity and lifestyle, VMAN is particularly notable as an American title that operates from the position that its readership is educated and interested in the world outside. Somewhat unusually for a successful American title – given the traditional difficulties in attracting a popular American audience with content from outside its borders – VMAN is one of the few titles that manages to retain its strong roots in its native NYC whilst regularly offering its urbane readership international content. And, just like its older sister, its work with top photographers, stylists and personalities has made it a hit not only at home, but also abroad. There is a certain irony that one of the world’s largest economies actually offers relatively few stylish, upmarket and forward thinking magazines to its male population. But VMAN is almost certainly the top title in that small and special group.