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In this issue of Interview, Keira Knightley has come into view as one of her generation’s finest period actresses for peddling in corsets in films such as Joe Wright’s Pride & Prejudice (2005) and Atonement (2007), for which she has earned both Oscar and Golden Globe nom- inations, and more one on her faithful, almost throwback, workaday sense of what her job is and how to go about it. Enjoy this issue with a complete interview with Keira Knightley.

Big Game could as easily denote an instruction as to how we should approach this issue of Wound as a description of its content. Game, games and gaming – from child’s play and artistic puns to the world of social politics- draw together the meaty content in a way that is a signature of the title.

Mel Karch’s photos styled by Mathieu Pabiot of the womenswear collections shot in a mini Paris grab one's attention as do the two vampire stories picking up on the blood-sucking Got ...[ Read More ]

This series is named after the Roman god, Vertumnus, who presided over earth, season, and change, gardens, plants and fruit trees. In a playful homage to the diety, Favini meditates on the cyclical nature of life and earth-bound elements, both physically and culturally. Clever as it is playful, Favini’s portrayal of Vertumnus evokes the familiar works of Renaissance artist, Arcimboldo, in particular his portrait of Rudolph II, 1590, or more recently, the film works of Jan Švankmajer, such as Dimensions of Dialog ...[ Read More ]